Hosking’s film is one of those absurdist boutique comedies that pushes against the definition of a punchline.
We Are the Flesh evokes human desire, unfettered by social mores, as the supreme expression of all the world’s evil.
It aims for John Waters-style transgression without evincing half of Waters’s wit and affection for eccentric lifestyles.
Irony is a popular pose struck throughout these shorts.