Guillermo del Toro reimagines an agonizing, still shocking noir as an exhibit in a wax museum.
Guillermo del Toro’s gothic romance receives a significant packaging upgrade from Arrow Video.
Del Toro’s lavish, tragic romance is his most personal film to date, and this gorgeous Blu-ray reflects its exacting perfectionism.
The film is Guillermo del Toro’s fussiest, most compartmentalized construction, filled with the most powerful sense of repression and delusion.
It’s fitting that the title of this week’s installment of Justified is the classic joke lead-in “Guy Walks Into a Bar.”
Harper’s Island is a gimmick show in the grand but bargain-budget tradition of master showman William Castle.
Thus far, David Milch and his cast have trod a fine line between the captivating and the repellent.
Completion does not necessarily mean forcing the end.
The final season of a television masterpiece. Bring on those movies, HBO!
The fences go up in the aftermath of the miracle that closed the second episode of John from Cincinnati.
Maybe the problem with John from Cincinnati is its miscalculated sense of center.
Tony Scott relocates our sense of real-world helplessness to realms of deluded fantasy.
The closing shot of last night’s Deadwood episode was never meant as a series-ender.
Deep down, you just knew that Whitney Ellsworth was too good to live.
Vice kingpin and frontier power broker Al Swearengen acted like a real prince in Sunday’s episode.
The episode feels like a summation of the show’s thoughts on what it means to be mortal.
The story of the Ellsworth/Alma/Bullock love triangle is being told almost entirely in subtle looks and body language.
In Deadwood, no one incident is isolated; it inevitably touches everyone and everything, reverberating throughout a community now readying itself for its first legal elections.
The women of Deadwood are passionate, fully realized human beings.
Ellsworth thrives in Deadwood’s lethal landscape by peppering his encounters with a self-deprecating wit won over many terrains.