It’s a classic case of two wrongs inciting the Right, from a branch that lately can’t seem to make up its mind whether to nominate too many songs or too few.
From Bowie to Madonna to Gaga, pop music has always been as much a visual medium as an aural one.
Like Glauber Rocha, Werner Schroeter harnesses the aesthetics of poverty to thrillingly radical ends.
Rarely operating as agents of actual literature, the superheroes are instead portrayed as foils, projections, and countercultural symbols—ideas, the things that stand for things.