Scorsese’s engrossing historical thriller is a three-hander on an epic canvas.
The series seems content to recreate the events of the case rather than explore them in any deeper psychological or thematic fashion.
The Power of the Dog receives a 4K UHD release that matches its subtle but sumptuous beauty.
Windfall has a difficult time landing on the right tone or getting a bead on its characters.
In Antlers, the big bad is never supposed to be as scary as society’s collective wrongdoing.
The film looks at times like a stiff-jawed period piece, but it ripples underneath with a prickly modern sensibility.
Jaume Collet-Serra’s deft touches elevate what otherwise feels like another formulaic contemporary Disney blockbuster.
Shaka King’s film, anchored by two sterling lead performances, complicates the expected narrative of martyrdom.
Criterion’s exacting presentation of Scorsese’s late-inning masterpiece is a testament to the enduring value of physical media.
The film has a weird, ghostly, even beautiful pull, but it functions mostly on theoretical terms because Kaufman has thought it to death.
The film mixes a self-help message with moments of hard, cruel detail.
The film feels composed of burnished, often blackly funny, fragments of erratic memory.
Vice is as noisy as the media landscape that writer-director Adam McKay holds in contempt.
Mark Perez’s screenplay maintains just enough plausibility to prevent the film from veering into sheer absurdity.
Scott Cooper’s film moves at a funereal pace, implicitly celebrating its sluggishness as a mark of integrity.
No American film since Zodiac has exhibited such a love for the way information travels than The Post.
Doug Liman’s American Made largely eschews any sense of verisimilitude in favor of wacky comedy bits.
The film is at its sharpest when Chris Kelly hands scenes over to his main character’s family and friends.
The Program is flashier and more self-conscious than many biopics, but it’s ultimately just as hollow.
A grippingly expressive espionage yarn, another exemplary entry in Spielberg’s late-career period, receives a top-tier, must-buy transfer.