The Cut lives up to its title, creating two sets of strong, sometimes dueling reactions.
We’re only allowed an insufficient glimpse of the anxiousness and curiosity that drive the film’s characters.
Red Flag is far too preoccupied with using comedy to defang truths rather than inform them.
Richard’s Wedding ends up seeming little more than an 89-minute hatefest.
The film finds Joe Swanberg plumbing the same tired issues, albeit from a slightly older perspective.