It only hits its stride when its hedonistic images are paired with the stoned-out grooves of Future’s original songs.
Writer-director Franck Khalfoun’s Amityville: The Awakening is an elegant entry in a lame series of horror films.
The Darkness is so listless that one can’t even work up a proper head of self-righteous steam over the spooky Native American clichés that drive the plot.
The film protests that bad behavior isn’t only good, but also essential to art.
Generally, these shorts do little to advance their own arguments, but then again, they don’t need to.
The show’s long-term success rests in the hands of at least one anchoring character with which the audience can relate to.
With Miracle and now Warrior, Gavin O’Conner can lay claim to being the finest sports-drama director working today.
It’s awfully hard not to feel like you’re missing something throughout this Miracle Worker.
Dr. Gregory House returns for a third season in the show that bears his name and, at first, he’s surprisingly less of a curmudgeon.
Mike Mitchell’s grating comedy is a tribute to checkbook cheer.