Like Jennifer Lopez herself, Peter Segal’s Second Act attempts to wear many hats.
The music video for Jennifer Lopez’s “Dinero” is as over-the-top as the song itself.
If Ice Age: Collision Course gleefully fails at being a history lesson, at least it offers an energetic recess from reality.
Lopez’s new single finds the former Fly Girl flipping gender roles on their head.
The film ultimately succeeds as a convincing social plea, but fails as compelling cinema.
Oliver Stone’s most underrated movie is a dark comic fantasy of sin and futility as well as one of the craziest and most beautiful of all noirs.
Home’s exposition is a mess of forced zaniness, which leaves the rest of the film with a Swiss-cheese foundation.
Rob Cohen’s The Boy Next Door flips the gender switch on Fatal Attraction and calls it a day.