Shot through with darkly existentialist humor, the film finds Aubrey Plaza throwing a gauntlet to filmmakers who have typecast her in the past.
Perhaps as a result of her attempting to avoid all matter of clichés, not just of genre, Amy Seimetz revels in vagueness.
Writer-director Benjamin Dickinson’s film isn’t interested in devolving into genuine you-reap-what-you-sow chaos.