Two twists on the typical range of possibilities for the musical theater writing process are playing out in two recent musicals.
Silverman discusses her current production and her relatively new foray into the world of musicals.
For the past five years, director Sam Gold has been a standard bearer for seriously accessible American theater.
It’s a a functional gift to all those people who stood in line, in vain, trying to catch a performance of Mother Courage and Her Children.
A show queen couldn’t possibly do any better for the Broadway beat than Dori Berinstein’s breezy, affectionate valentine to the Great White Way.