The garage-punk band skillfully strikes a balance between exuberance and introspection.
The film is a compelling, if often lightweight, portrait of a man driven by outsider fury.
On Watch Me Fall, Jay Reatard settles on his best impulses while also neatening them up a bit.
What Jay Reatard is attempting on Singles ‘08 is hardly original but completely welcome at the same time.
Honestly, I’m not really sure how it’s possible that South by Southwest exists.