Preston Miller’s God’s Land walks a fine line between satire and earnestness.
Day sixteen is easily, without a doubt, the worst and most painful day of shooting on God’s Land.
We are over halfway through shooting God’s Land now—and seeing light at the end of the tunnel for some of our principal actors.
The heart of the film is in the domestic scenes between the husband and wife.
We are approaching the middle of our shooting schedule, and finally making some headway.
Even the trip to Long Island where we were shooting our scenes felt a little traumatic.