Age makeup is often an easy target for criticism.
Chimpanzee’s Oscar is but the latest filmic primate to captivate viewers.
Michael Fassbender appeared in almost as many movies this year as Oldman has throughout his career.
Seven finalists remain in the race for Best Makeup, the category that’s poised to prove just how strong a frontrunner The Artist actually is.
Since Hoover ran the Bureau for fifty years, there is a lot that is left out, enough to make another film.
Michelle Williams quickly settles into one of the year’s best performances, and one of its purest sources of movie bliss.
The film has limited mass appeal, and what Clint Eastwood brings this time out is more a deft shepherding of others’ talents than a showcasing of his own.
For the first time, I can’t excuse the bull Clint Eastwood is selling.
Both images emit a roaring, pompous confidence in their lead candidates.