The book affords boastful insights that require serious consideration.
The one certainty of this year’s Original Screenplay field is a bit of 2010 déjà vu.
In compiling my Top 10 film list, I tried to avoid obvious choices based on general consensus.
Quentin Tarantino is one of those directors that thoroughly divides people: You either love to hate him, or hate to love him.
These are the winners at the 82nd Academy Awards.
This is a complete list of our predicted winners at the 2010 Academy Awards.
To hear everyone tell it, it’s all still going to boil down to a grudge match between Contender #1 and Contender #2, the same as it usually is.
The sound category that more often rewards nuance probably deserves a little bit more consideration than I gave to sound editing a few days ago.
We’re down to the wire, folks, and we’ve been saving some of the more contentious races for last.
Of the two sound categories, this is the one that favors artificially invented environments and sonic fabrications.
Don’t let the results of the WGA sway you too much. Quentin Tarantino, as a non-Guild member, was no more eligible for one of their awards than he is likely to be invited to spit punany poetry on a split bill with Maya Angelou.
When Up in the Air couldn’t swing a nomination in this category, the race for best picture suddenly became a little easier to diagnose.
Sometimes the key to an actor’s successful Oscar campaign is to let the performance speak entirely for itself.
In short, not so much the People’s Choice Awards, just more of the same.
The flicks below are the best things I got out to see in multiplexes and arthouses in 2009.
Understanding Screenwriting #32: Flame & Citron, Inglourious Basterds, District 9, & More
As screenwriters, here is why you should do your research.
Tarantino is offering a peculiar form of thrills, for the most part; it’s not always exciting in quite the way one expects a Tarantino film to be exciting.
Everything is connected in Tarantino’s world, bound by his religious sense of devotion to films and the music that goes with them.
Tarantino’s public face says one thing, his movies say another.