The Grandmaster is an expectedly exquisite work which reveals its author’s fingerprints in every frame, motion, and emotion.
I’m totally willing to admit, at the outset, the possibility that any of my favorite 10 below may decline in estimation over time.
It’s hard to pinpoint exactly why Days of Being Wild doesn’t quite move me like Wong’s other films.
Perfect Life is a panoply of perfect, perfectly repulsive moments.
What is life but a string of silly exercises?
A kaleidoscope of alienation and longing, the film remains one of Wong’s least discussed and least appreciated films.