I discovered Haynes’s work in those golden years when I was precociously overenrolled, swaggeringly social, and getting laid all the time.
In all of his films, Todd Haynes takes elements of gaudy tabloid culture and warps them to his own purposes.
D.A. Pennebaker’s film is a veritable Rorschach test.
What ultimately emerges is a schizophrenic survey of the many ways in which Bob Dylan has (possibly) seen himself.