Criterion gives Gilliam’s dark children’s tale a jolly good UHD upgrade.
A film as misshapen and compelling as its central creature, Mary Shelley’s Frankenstein is a beautiful monstrosity in 4K.
It’s seen many home-video releases over the years, but Criterion’s Blu-ray finally gives the film the package it deserves.
Most affecting in its depiction of friendship, and the performances represent platonic male intimacy in convincing, often moving ways.
A top-shelf presentation of one of last year’s baggiest, most unnecessary films.
There’s more to An Unexpected Journey than self-conscious nostalgia and fan pandering.
The film, still only clearing its throat, hints at a wellspring of emotional riches to come.
Criterion continues to show enduring love for Gilliam’s wondrous magnum opus with their generous Blu-ray package.
A paltry offering of bad-looking archival interviews is, sadly, all Echo Bridge shelled out for.
This release features a spectacular A/V transfer that rightfully lends focus to the film’s excellent technical merit.
An insurmountable amount of extras comes second only to New Line’s stunning visual and audio transfer of Peter Jackson’s exhilarating and exhausting epic.
An underwhelming Blu-ray to remind viewers that the problems with Terry Gilliam’s recent films are not an entirely new development.
Ratatouille is darling, even if I’m still of the opinion that a rat will eat your face if you let your guard down for a second.
O Jerusalem’s purported seriousness might label it as an adult’s film.
As always, Pixar’s technological invention remains peerless, both for its stunning detail as well as its inventive flair.
Chris Eigemanembodies an erudite prep school English teacher beset by ambivalence about his upper-crust professional milieu.
No matter how long the film runs, it’s still a funny addition to the Strangers with Candy universe.
Christian Volckman’s Franco-noir Renaissance is, in purely technical terms, something of an evolutionary step up from Sin City.
Amy Sedaris’s Jerri Blank is the project’s greatest visual effect.
Andrew Niccol’s Lord of War is little more than an ammunition-littered variation on Blow.