Letts trips over the line between objectifying women and satirizing the objectification of women.
While the visual spectacle brings a grand adventure vividly to life, the transition to the stage isn’t entirely rewarding.
The meta-narrative leanings of Ryan Phillippe’s directorial debut almost predictably give way to self-congratulation.
The Last Rites of Joe May offers center stage to a great performer who’s made a career of playing supporting tough guys.