The tea leaves tell us that this is a more unpredictable Oscar race than most people are perhaps willing to admit.
Reigel discusses working with Sally Menke, how editing a film is like attending a dinner party, and more.
You’d be hard pressed to find anyone who didn’t feel as though Baby Driver reached out to them directly from the screen to ask if they would care to have this dance.
Throughout the awards season, Frances McDormand, like Sam Rockwell, has remained impervious to the controversy whirling around Three Billboards.
Until proven otherwise, we see no reason not to be optimistic about the Grand Pooh-Bah of film prizes’ potential for further underdog surprises.
In a Slant exclusive, the makers of I, Tonya discuss the importance music played in the film.