Wes Anderson seems to have taken a page from Todd Solonz’s book, and it’s hard to imagine more beautiful results.
The promotion of Lynne Ramsay’s We Need to Talk About Kevin has been all over the map.
You should probably cross Sandy Powell off the list right off.
I hate hotshots.
The 1992 release of Orlando propelled director Sally Potter to forefront of independent filmmakers.
Tilda Swinton carries the movie’s main message in her expression and body language.
I Am Love is often torpid, sometimes laughable, and occasionally deeply moving.
Understanding Screenwriting #49: I Am Love, Winter’s Bone, This Is Korea!, Hot in Cleveland, & More
by Tom Stempel
What could possibly go wrong? A lot, it turns out.