Renoir’s most well-known American feature is a fascinating translation of the filmmaker’s methods and outlook into a Hollywood milieu.
Murder, in Losey’s The Prowler, is the continuation of sex by other means.
The Young One connects to us on a blood level but the incision it makes to reach us there is made with flabbergasting sensitivity.
All of Robert Aldrich’s early work is intriguing, but Autumn Leaves is his secret gem.
Luis Buñuel dares his audience to question everything they’ve come to know about morality, savagery, and everything in between.