At its best, A New Era quietly links its themes of entitlement and survival.
The greatest gift offered by the film is an empowering world that looks less like invention and more like real life.
After a while, all you see are the gears of various sublots turning separately until they mesh together and move in unison.
Paddington 2 arrives on home video ready for canonization as a new family-friendly classic.
Paul King’s Paddington 2 profoundly believes in the harmonizing power of warmth, politeness, and the absurd.
Breathe is an easily digestible replica of the truth, bathed in honeyed cinematography and sentimentalized adulation.
The only thing that offsets its self-negating revisionism are the scenes involving Gillian Anderson vicereine.
The film is surprising for the way it finds a near-ideal balance between its childlike playfulness and displays of mature wisdom.
George Clooney’s film boils a big, messy maelstrom of theft and uncertainty down to a digestible, faintly appetizing mush.
Reportedly, people have been living at the Highclere site for roughly 1,300 years.
After the opening two-part story of this season launched a ton of mysteries, the Doctor and his friends have decided to go off and have a stand-alone adventure.
Marcos Siega’s hackneyed, by-the-books action-comedy deserves a dunce cap.
David Mackenzie relishes dark tales of sexual obsession like a gleeful masturbator.
It’s all very interesting, but it still feels like a cut-and-dry homework assignment…or a Paula Abdul song.
The film’s performances deserve a look though this is a relatively uninspired DVD edition.
If you think Elvis, Tupac, and Biggy Smalls are still alive, you’re likely to swoon over Alan Taylor’s trivial piece of historical revisionism.
Despite Richard Eyre’s flowery direction, there’s a brave humanism at work here as Iris.