Chimpanzee’s Oscar is but the latest filmic primate to captivate viewers.
The film has limited mass appeal, and what Clint Eastwood brings this time out is more a deft shepherding of others’ talents than a showcasing of his own.
For the first time, I can’t excuse the bull Clint Eastwood is selling.
A category that seems almost too easy to call.
Understanding Screenwriting #65: Hereafter, Fair Game, Morocco, The Good Wife, & More
by Tom Stempel
Will somebody around here please call rewrite?
Aaron Cutler, Kenji Fujishima, and Elise Nakhnikian share their thoughts via email about this year’s festival.
You could disagree, and claim that a few pop selections help people notice the small stuff. Hopefully.