The solid transfer will allow home viewers to fully experience Cattet and Forzani’s unrelenting, expressionistic assault on the senses.
The married filmmakers discuss their creative process, style versus substance, and more.
Hélène Cattet and Bruno Forzani lose grasp of the snap and tension that drive even a mediocre heist narrative.
Andrea Pallaoro’s Hannah attains a discomfiting intimacy in its chilly examination of a woman coming undone.
One can never fully shake the feeling that the sense of unease the filmmakers rouse, every act of seduction, infiltration, and vengeance they orchestrate, is borrowed.
The horror anthology’s finest entries convey how real horror comes in more than shades of red, and how it lives inside us all.
Amer moves relentlessly and dissonantly, and practically sans dialogue.