Age makeup is often an easy target for criticism.
This is the first film year in a long while that’s made me want to applaud Harvey Weinstein.
Jennifer Lawrence is taking a page from Mo’Nique’s book and playing the campaign game by her own rules.
All right, all right, all right. We should’ve known.
From the schoolyard to the psych ward, the bully was a cinematic staple well before becoming a hot-button news topic.
Sometimes it’s hard to separate a movie from the hype.
So it is that the one year we didn’t stick to our frilliest-always-wins guns here, we came up short.
Michael Fassbender appeared in almost as many movies this year as Oldman has throughout his career.
No film this year is poised to collect more Academy Award nominations than Michel Hazanavicius’s silent movie about the silent era.
The ascendance of the stuttering king and Oscar’s perceived instantaneous regression into the mottled pastures of White Elephant Cinema has rendered some of our most reliable barometers speechless.
In the mid-’90s, the Hollywood blockbuster was forced to take a backseat.
Last weekend marked a dubious footnote in movie history.