Aside from the ethics of 3D, it’s undeniable that Catching Fire will be at an economic disadvantage without it, losing as much as $4 per ticket in some cases.
An award for makeup may be just the thing with which to bless Peter Jackson’s return to Middle-earth.
One could argue that voters might feel compelled to use this final opportunity to throw the highest-grossing film franchise ever a bone for its last chance at bat.
The boy wizard’s last hurrah still, however, has a better shot in this category than Midnight in Paris.
As long as there’s a Transformers film franchise, there’s a good chance Oscar nominations for special effects are going to be thrown at it like alien shrapnel.
The Artist seems likely to not only get nominated, but also win.
Going up against the queen—who’s dressed by Lisy Christl—will surely be Hugo’s Sandy Powell.
Seven finalists remain in the race for Best Makeup, the category that’s poised to prove just how strong a frontrunner The Artist actually is.
First take a look at the 15 feature films nominated by the Art Directors Guild.
The biggest hurdle for Malick’s answer to 2001 may be the demonstrable fact that this category favors movies with titles longer than your average James Joyce sentence.
Understanding Screenwriting #78: Friends with Benefits, Harry Potter and the Deathly Hallows: Part 2, & More
Haven’t we recently seen this? Take one. No, actually we haven’t.
David Yates seems to want the film to capture the excitement of the moment but also to strike up nostalgia for all that has gone before.