It’s a relief to have Schrader’s underrated sexual psychodrama outfitted with the ravishing transfer it deserves.
Jamie Lloyd’s gauzy new production of Harold Pinter’s play aims for the abstractly lyrical.
Criterion’s new 2K Blu-ray adeptly demonstrates why the film is ready for its (redux) close-up.
We spoke to the actor and director about their long-term friendship, and about the two plays at the Cort Theatre.
Adjmi keeps his audience on its toes by constantly demonstrating how hysterical laughter can signal trauma.
You could call it a tragicomedy of mistaken identities.
When it comes to The Lady from Dubuque, “perhaps” is the operative word.
The most striking thing about Carnage is how much funnier it is than its source material.
It’s tempting to call the new Sleuth a soulless remake, but that would imply that the original had a soul.