Korine has crafted an experience that’s worth tripping out to, cotton mouth be damned.
With the film, Harmony Korine solidifies his position as the premier cartographer of the Sunshine State as a place of unhurried pursuits.
The video works by representing the body as the most direct visual expression of the self.
David Gordon Green stages even fleeting tonal palate cleansers with a self-consciousness that parallels Al Pacino’s acting.
Manglehorn is too talky by half, especially when two or even three scenes are superimposed on one another.
Korine talkes to us about his commitment to 35mm, insufferable record collectors, and the scourge of compromise.
For a life beyond mere DVD supplementary material, the film could use a dose of rigor to balance out its steady stream of congratulatory pit stops.
Ukraine Is Not a Brothel ultimately exists in a representational space similar to the rad-fem tactics of Daisies or, even, Spring Breakers.
The most pleasant surprise of this awards season has been the widespread embrace of Her.
Jonathan Glazer’s peculiar film is the most original feature at Toronto, and possibly of this year.
It’s really all about those lenses, through which you’re left dying to peer.
The story of Rosario Dawson’s discovery speaks to her enduringly cool credibility as an actress.
Before he even takes a seat, Korine makes note of the faint “unce-unce” pumping out of the house speakers.
Here’s to the extremes of cinema!
One of the effects of Harmony Korine’s feverish, hypnotic style is that the whole thing feels like a fantasy—or rather a nightmare perversion of the American dream.
The marketing behind Spring Breakers cheekily promises just what the gonzo film delivers.
There’s so much more to love here, and even more to digest further.
Levé’s ambivalence to the memoir as a construct prevails throughout Autoportrait, its own kind of deformation, wherein the act of explaining a life becomes interchangeable with describing an image.
Unlike most recent omnibus features, the three short films comprising The Fourth Dimension riff not on a specific location, but on a set of creative rules.
Sleepless Nights Stories wrestles often with the intersections of the artistic and the personal.