Thomas Ostermeier's production reclaims Hamlet, fleetingly but full-heartedly, for all of us.
If this Richard III has a guiding concept, it’s in the dismantling and displacement of Shakespeare’s treatment of disability.
It’s hard to think of too many other productions that strive to stretch a Shakespeare play so far beyond its natural course.
What kind of Hamish Linklater fan you are likely depends on what kind of entertainment you take in the most.
Da flirts with Shakespearean themes, King Lear and Hamlet being the main points of reference.
Thomas is back on Broadway in the Manhattan Theatre Club’s revival of Henrik Ibsen’s An Enemy of the People.