Stefani is affectionately loyal to the standards on You Make It Feel Like Christmas.
It’s a flashy, pre-fab product, but the animators are given enough space to create moments of genuine artistry.
The nakedness with which Stefani assesses the ruins of her relationship is stark.
One of the most memorable performances from last night’s Grammy Awards broadcast took place during a commercial break.
It has a better shot at reigniting Stefani’s solo career than its rather bland predecessor did.
“Baby Don’t Lie” finds Gwen Stefani effortlessly grooving to a reggae-flavored beat and an admittedly catchy hook.
It’s telling that when Lavigne stops to take a Polaroid of her posse of expressionless Japanese slave-dancers.
Read on to see how I tackled things with alarming sobriety…I mean bad breath.
Gwen Stefani trades in her Fiddler on the Roof soundtrack for The Sound of Music.
It’s fitting that Stefani should open her Harajuku Lovers Tour with Debbie Deb’s “When I Hear Music” booming from a giant tower of speakers.
Even the film’s DVD evokes a triumph of technical style over substance.
The album can be divided into three separate parts: modern, retro, and somewhere in between.
Martin Scorsese’s interest in would-be supermen struggling to reconcile their warring impulses reemerges in The Aviator.