The film has a weird, ghostly, even beautiful pull, but it functions mostly on theoretical terms because Kaufman has thought it to death.
Nothing could have prepared me for Rapp’s chilling, unrelentingly committed glimpse into dystopia with Nursing.
Mid-level Altman from the forgotten ’80s, a period that ought not to be forgotten entirely.
Altman imagines the army barracks as a hothouse environment where tensions and fears play out in oddly manic outburst.
Taking Chance wants nothing to do with the controversial politics of the Iraq War.
The film is a wicked, feature-length double entendre from a Doublemint era.