Godfrey Cheshire’s film avoids the pitfalls of its most obvious precursor, 1997’s Family Name.
The second season of The House’s “Grassroots Tavern” podcast series begins, fittingly, with our second episode.
The question here is whether it’s a good idea for filmmakers to appropriate as their own the original scores of previous movies.
Which is greater, the filmmaker’s laziness or his contempt for his audience?
Deprived, so suddenly and unexpectedly, of his place to write, Glenn Kenny created a new one.
The historical and the personal converge in Godfrey Cheshire’s documentary.
This installment focuses on nonfiction film, the hazards of independent distribution, and Cheshire’s own filmmaking debut, a documentary titled Moving Midway.
Cheshire was open to discussing how the changing times broadened his interests in film and filmmaking.