Throughout, Glauber Rocha calls on us to imagine what we’d want a revolution to look like.
Like Glauber Rocha, Werner Schroeter harnesses the aesthetics of poverty to thrillingly radical ends.
The story of Boca do Lixo filmmaking began a few years before any of its movies.
In the 1960s, a branch of Brazilian cinema emerged so daring, thrilling, and varied that in hindsight people disagreed even over what to call it.