It relies less on in-camera stunts than editing that renders vague gibberish of the altercations.
The film’s whiplash contrasts between snideness and sincerity are deeply rooted in Deadpool’s psychology.
Scott Mann’s film gets by on chutzpah, growing more diverting with every ludicrous plot twist.
Aside from being another rote addition to the revenge-film canon, John Stockwell’s In The Blood is also a supreme waste of Gina Carano’s talent.
People who saw the film wondered if they met up again. So did the filmmakers.
Justin Lin strives to approximate something like Ocean’s Eleven for petrosexuals.
This deceptively modest bundle of butt-kicking and betrayal gets a top-notch transfer from Lionsgate.
Soderbergh’s latest is all aloof propulsion, and like Contagion, it’s ultimately inconsequential.