Terence, meet Terence.
Gianni Di Gregorio’s The Salt of Life is a mildly self-pitying plod.
The weather has gotten better in Karlovy Vary. Sort of.
It may not deserve the Criterion treatment, but fans will be pleased by the solid audio/video treatment it has received.
Mid-August Lunch is at best a cute anecdote that scrapes by at just over 70 minutes.
Matteo Garrone’s gangster-as-capitalist view never softens its focus a la Traffic or turn its executions into exploitative set pieces.