Brian R. Jacobson discusses architectural formations as inextricable from their industrial and artistic capabilities.
So it is that the one year we didn’t stick to our frilliest-always-wins guns here, we came up short.
This season presents two Oscar contenders, Hugo and The Artist, that both bask in the dreaminess of cinema’s early days.
The latest film by Jean-Pierre and Luc Dardenne left me speechless.
Hello and welcome to Film or Faux, a new podcast about aesthetics, forgeries, and failures.
A man lathers himself with shaving cream, then looks into his mirror.
Film is a phantom, but a living one.
Even though the movies are alive and well, film itself is turning ghostly.
A mysterious, handsome man lures women to their doom.
Any Méliès is good Méliès, but there’s plenty here to stand on its own merits.
Méliès’s world may be marked by an atmosphere of wondrous possibility, but it’s also reflective of a perpetual frustration.