George Miller’s film is a passionate exploration of how image-making is inextricable from storytelling.
One of the greatest action franchises of all time receives a terrific UHD spit-polish.
Now on 4K Ultra HD, Mad Max reminds us anew that few contemporary action films match its appetite for risk.
An Oscar for Alejandro González Iñárritu is a reward for the return on the industry’s investment.
The gorgeous transfer fully honors the film’s distinctly amazing road-fever aesthetic.
Miller orchestrates the rubber-burning pandemonium with the illicit smirk of someone who knows he’s giving us exactly what we want.
A disappointingly half-assed treatment of a legendary post-apocalyptic action series that boasts two indisputable genre classics.
The krill subplot is even thinner than the penguins’, to the point where it scarcely has any reason to exist.
The film is a low-budget action spectacle that should inspire amateur filmmakers to take genuine risks.
Things get interesting when filmmakers and actors reminisce about how their movies got made.
A busier and more densely populated film than either of George Miller’s first two pared-down, souped-up, post-apocalyptic road epics.
The disc’s extras are, umm, featherweight, but the film remains darling.
Happy Feet is a film of uncanny political resonance.