This is an outstanding 4K release of one of Romero’s most pleasurably rewatchable films.
Romero and Argento’s Two Evil Eyes receives its most impressive transfer to date from Blue Underground.
The living dead enabled the influential George A. Romero to free himself from self-consciousness.
With The Amusement Park, George Romero holds a cracked (funhouse) mirror up to a callous and ultimately terrified society.
Shout! Factory’s impressive disc honors the film with a restoration transfer and a slew of meaty extras.
Without question one of the most important Criterion releases of this or any year.
Regarding national cinemas, each section skews heavily toward filmmakers from either Europe or the United States.
In the summer of 1989, vampirism became instead a symbol of contemporary urban angst.
Fans of this weird, thematically incoherent cult oddity might be a little disappointed by the paucity of extras.
The film is unavoidably slight, but there’s a certain pleasure in watching talented people wax passionate about a common source of inspiration.
Any real zombie fan knows that political parable and decomposing cannibal corpse gore go together like peanut butter and jelly.
The band’s tour includes two dates at Austin’s Housecore Horror Film Festival just in time for Halloween.
The most recent Rollin films to make their Blu-ray debut mark a significant departure for the filmmaker.
Lisa and the Devil is easily the oddest duck in Bava’s filmography, sumptuously photographed and exceedingly surreal.
The writers’ decision to limit this episode to Andrea and the Governor heightens the contrast between the two divergent plots.
Even the inimitable Tony Todd doesn’t escape unscathed in this dubious reimagining of George A. Romero’s original horror masterpiece.
Let’s just say that Carmen Maura, Jennifer Jones, and Bill Cosby have more in common than you might have thought.
The list of “obstructions” ought to be familiar to anyone with any exposure to this parlor game.
It’s only the third tale that transcends the movie’s pleasant aura of video cult hit mediocrity.
Midnight Movie has a surprisingly ambitious structure, as Hooper is aiming for the novelistic equivalent of the vérité approach that was so effective in The Texas Chainsaw Massacre.