This paean to undying love stands as one of the strangest, most beautiful Hollywood films of the 1930s.
The set affirms the profound emotional power of these idiosyncratic collaborations.
One of the best performances from one of classical Hollywood’s greatest actors is finally given the red-carpet Blu-ray treatment it deserves.
Mann’s last great film carries with it an unshakeable aura of finality in its world-weary temperament.
Raoul Walsh’s film is notable for its unique sense of period and locale, character, and consequence.
Otto Preminger’s version of a flag-waver, a condemnation of oxymoronic military justice, is a moral chess game that can’t try very hard to fake phony uplift.
It’s hard not to get a little nostalgic while trying to determine one’s favorite films of all time.
This Blu-ray is light on contextual supplements, but nearly immaculate on a technical level.
A good hand, played well.
Tissue-thin as these things go, Kino’s wafer of a Blu-ray production earns its keep with a fine transfer of a Borzage barnburner.
Without a doubt, this 2011 edition was the film festival experience of the year for me.
Design for Living is sexy in ways we’re still trying to, ahem, wrap ourselves around.
How many readers have heard of Atlântida Cinematográfica?
The film’s optimistic integration of intellectual and physical impulses lends it a feeling of wholeness closer to Howard Hawks’s later, more serene films.
Slender but lovingly textured, The Wedding Night is worth discovering.
You’d have to go to Barbara Billingsley for another jive session this enjoyable.
A bare-bones DVD, but this is a forgotten 1930s melodrama worth discovering.
Much of “Christopher” seems more appropriate for an op-ed piece than as a crucial hour in a terrific episodic television program.
An uneven set illustrates the facets of Cooper’s persona. Worth it for fans? Yup.
Frank Borzage is always getting away from society and its customs, from marriage and houses, taxes and details.