Nathan Silver is predominantly preoccupied with chaos.
The BAFICI seems to channel the sheer variety of the Internet, where it seems all movies from all eras are available.
Student attempts to do for Crime and Punishment what Darezhan Omirbaev’s earlier Chouga did for Anna Karenina.
Mandy of his films are obsessed with fragility of sexless marriages crumbling under siege from illicit passion.
The forum side of the festival produced as much intellectual stimulation as hot air, as is usual with such round tables.