Monstrosity, terror, and horror all correspond in some way to chaos in its old-fashioned sense and with chaos in its scientific sense.
Cahill and co-writer Brit Marling struggle in vain to foreground the thematic significance of their film’s novel main conceit.
New York Film Festival 2010: Views from the Avant-Garde, Pierre Clémenti’s Unreleased Reels
by Aaron Cutler
Souvenir, Souvenir, with its sharp, rapid edits between faces and bursts of sudden color, delights in dissolving people over animals and vice versa.
Writer-director James Bai’s Puzzlehead which shows this week at the Two Boots Pioneer Theater, proves that ingenuity is currency.