Review: Unforgiven

Clint Eastwood’s Unforgiven brought the revisionist revenge film into the 1990s and, by extension, the 21st century.

Review: The M Word

Like a number of cult directors to emerge in the 1970s, Henry Jaglom values a party atmosphere at the expense of narrative cohesion.

Review: The Host

Its title, very graciously, doesn’t end with a “Part 1,” but The Host sure has enough plot points and ideas to fill two installments.

Review: Titanic 3D

You’re not going to find a grander spectacle in theaters right now, and the truth is, you haven’t found too many in the last 15 years.

Review: Janie Jones

Despite its panoply of clichés, the film does work up some goodwill once you accept it on its almost defiantly generic, low-stakes terms.