Today, the Film Society of Lincoln Center’s New York Film Festival announced its main slate of films for this year’s event.
Walerian Borowczyk is at his most radiant when he combines unspeakable dread with a gallows humor, or with formal inventiveness.
For Ruben Östlund, a movie camera is an instrument of provocation and exploration.
Corneliu Porumboiu’s The Second Game is a fine example of an impulse toward meta-narrative that has recently reinvigorated the nonfiction form.
Camouflage is a precisely modulated satire whose abrasive edges continually test our discomfort.
“The Perfect Batch: Breaking Bad Cast Favorites” is part of FSLC and AMC’s week-long celebration of the series.
The Themersons have been compared to artists László Moholy-Nagy and Man Ray.
It’s hard to look at Tuesday Weld’s career without feeling a tiny pang of regret for what could have been.
Airplane! suggests a Marx Brothers farce wrapped around an Arthur Hailey melodrama and given a couple of whirls in the blender.
We hope this list helps direct readers to sites of note.
The projects included here span a wide range of genres.
Whatever his reasons, Khrzhanovsky directs his first (mostly) live-action feature, at age 69, as if it were his own last testament.
The identifying phrase “New Italian cinema” is synonymous with that type of socially realist bildungsroman for adults.
Perhaps no director is quite as under-the-radar termitic as Howard Hawks.
In The Pope’s Toilet, form doesn’t equal function and neither side of the equation is particularly pleasant.