There seems no reason why the film’s Art Direction, Set Decoration, and Production Design can’t compete right along with this year’s showy heavy-hitters.
Wes Anderson seems to have taken a page from Todd Solonz’s book, and it’s hard to imagine more beautiful results.
Colin Firth ain’t the only one riding The King’s Speech to an “overdue” Oscar win.
The book allows us to construct our own understanding of Dahl and his oeuvre of weird, inventive, and wickedly funny narratives.
By the grace of five extra Best Picture nominations, Pixar finally managed to land itself a slot in the main drag.
Even the weakest of the bunch, James Horner’s predictable but atmospheric score for Avatar, doesn’t stir our bile beyond a simmer.