If you’re looking for flash and snark, Boy Kills World has them in spades.
The film is too narrow-minded to explore the notion that a saint-like man may want to satisfy his normal carnal desires.
Dangerous betrays the promise of its title by playing things extremely safe.
The film misses the opportunity for a suspenseful interweaving of sports spectatorship and its characters’ high-stakes gambits.
The series sucks the juice out of its pop-cultural reference points, failing to mine our current nightmares on its own terms.
The film too often suggests an Under Siege that’s been pointlessly larded with critters from Jumanji.
Netflix will release the series on May 31.
Writer-director Susan Walter’s film is almost determined to disprove the causality of social phenomena.
Kino Lorber issues a slim but attractive restoration of John Irvin’s nasty and woefully underappreciated crime thriller.
Empowerment porn for those who long for the Cold War’s clarity of purpose and American dominance in this murky age of terror.
The show no longer suffers from lethargic pacing, but it’s also been scrubbed free of any residual weirdness.
This may be the year’s best superhero movie because, for a sufficient amount of time, it doesn’t feel like one at all.
The film suggests what might happen if TBS and Bruce Springsteen were to collaborate on a sitcom set in hell.
Hansel & Gretel’s idea of a gut-busting punchline is to pepper unusually flippant dialogue with the word “fuck.”
If you’re a seasoned fan, or even looking to dig into the series for the first time, Bond 50 is an essential package.
Taken 2 offers a modest reversion on the established formula.
The film’s only relatable element is the absolute disdain one character has for the titular kid.
The dank Louisiana bayou is a perfect setting for The Chameleon, a ripped-from-the-headlines mystery where identity is as solid as quicksand.
Liam Neeson kicks physical and moral ass in Taken.
The noise that Oscar pundits make throughout the year feels as influential to this rat race as the awards handed out by critics.