Seattle International Film Festival 2008: Cherry Blossoms: Hanami, Up the Yangtze, & More by N.P. Thompson June 7, 2008 What I love about Tanaz Eshaghian’s filmmaking is how she stands completely out of the way.
Emotion Through Bodily Motion: Acting and the Frame in John Cassavetes’s Faces by Simon Hsu October 14, 2007 The close-up is Cassavetes’s shot of choice in his two-hour exploratory critique of the American idle rich.