If nothing else, the film is a terrific example of a minimalist style employed with near-maximum effectiveness.
Now, to be clear, Inception, which makes the juggled alternate realities of Back to the Future Part II seem complicated in comparison.
We’re picking this one out of a hat, folks.
All season long, two prominent Oscar players have straddled the uncomfortable line between aligning with the supporting and leading categories.
The San Francisco International Film Festival is nothing if not facilitative of staunch personalization.