One of the more enervating things about Lost is the way that it will occasionally mistake name checking, say, a famous philosopher for depth.
One of the things that makes “Namaste” so much fun is the way it convolutes itself within the timeline we’ve already seen.
Let us now sing the praises of Josh Holloway and Elizabeth Mitchell.
The structure of “Life and Death” is pretty predictable once you get into the swing of it.
For the first time this season, we feel completely stymied by Lost.
There’s a deal we make, we Lost fans and appreciators.
In so many ways, this latest episode is Lost at its best.
Those looking for definitive answers from their television viewing have probably long given up on Lost.
“Greatest Hits” is the closest Lost has come to a perfect episode since its pilot.
Sun and Jin’s entire relationship can be distilled down to maintaining appearances.
Lost doesn’t just name check the pop culture phenomena that have inspired and co-exist with it.
The Others might be terrorists, but they have families, homes and moments of humanity just as real as the show’s protagonists.
Another episode of Lost, another con artist in our midst.
A common knock against Lost is how much of a boy’s club the show is.
I’ve finally begun to sympathize with the show’s writers and producers.
There seems to be more Lost doubters than usual these days.
It was inevitable that after two consecutive strong outings, Lost would backslide into more familiar and frustrating territory.
The episode found the series playing around with form in provocative ways.
Even the flashback this week was informative.
Once upon a time, Kate was a favorite character of mine.