Stone’s splenetic, sophomoric, but nonetheless captivating media satire has never looked better.
The season’s contrived storyline is a forced and inelegant string of events that tries to come across as serendipitous.
Tom Kapinos’s resolve to find a fresh approach for Californication wherever it may be sacrifices some of the show’s consistent strengths.
The fourth season of Californication proves there can indeed be too much of a good thing.
King would say the extras on this release are meant to stir one’s juices, but I say they have been designed to diminish brain cells.
If Sex and the City 2 is even less significant than its predecessor, it’s because it runs on one less interesting storyline.
The way Michael Patrick King tells it, you wouldn’t think much has changed since the Civil War-era plantation.
There’s enough working here to make watching a TV show about TV all the more enticing.
Like a lot of ambitious series, ABC’s Lost doesn’t hit a home run every week.
Pretty and neatly wrapped, if Tiffany did television, this is how it’d be done.