Review: For Leigh Whannell’s The Invisible Man, the Cruelty Is the Point
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Review: The Assistant Is a Chilling Portrait of Workplace Harassment
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Review: Philippe Garrel’s The Salt of Tears Forecloses Feeling for the Sake of Fantasy
The 10 Best Albums of 1980
Review: Grimes’s Miss Anthropocene Feels Both Deeply Personal and Communal
Review: Caribou’s Suddenly Is an Inviting Dive Into Familial Waters
The 25 Best Guided by Voices Songs
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Review: In Wide Ocean Big Jacket, the Magic Is in the Smallest of Details
Review: Lair of the Clockwork God Is a Fine-Tuned Comedy Machine
Review: LUNA The Shadow Dust Is Visually Dazzling but Succumbs to Monotony
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Review: Kentucky Route Zero: TV Edition Is a Magisterial Elegy for a Nation
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Review: Amazon’s Hunters Blends Comedy and Violence to Diminishing Returns
Every BoJack Horseman Episode, Ranked
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Interview: Lesley Manville and Liam Neeson on Working Together on Ordinary Love
Interview: Angela Schanelec on I Was at Home, But…, the Berlin School, & More
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Billie Eilish Drops Lush James Bond Theme Song “No Time to Die”
David Lowery’s The Green Knight, Starring Dev Patel, Gets Teaser Trailer
Wes Anderson’s The French Dispatch, a Tribute to Journalists, Gets First Trailer
Oscar 2020: Complete Winners List
Eminem Drops Surprise Album and Anti-Gun Violence Video for “Darkness”
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Blu-ray Review: Anders Jacobsson’s Evil Ed on Arrow Video
Review: Joseph Losey’s The Criminal and Accident on Kino Lorber Blu-ray
Blu-ray Review: Pier Paolo Pasolini’s Teorema on the Criterion Collection
Review: Hiroshi Teshigahara’s Antonio Gaudí on Criterion Blu-ray
Review: Hamlet at St. Ann’s Warehouse Is a Triumph of Production Over Performance
Confessions of a Drag Legend: Charles Busch on The Confession of Lily Dare
Review: Timon of Athens Takes Arms Against the Ravages of Wealth
Under the Radar 2020: The Shadow Whose Prey the Hunter Becomes, Not I, & More
The Best Theater of 2019
Jenny Offill’s Weather Reckons with the Intimate Rhythms of the End Times
Reconciling Memory: Peter Stamm’s The Sweet Indifference of the World
John Sayles’s Yellow Earth Is a Masterfully Fair Hearing on Human Nature
In Find Me, the Sequel to Call Me by Your Name, the Echoes of Love Are Resounding
The Very Queer In the Dream House Explodes Expectations of Memoir
James Whale was a master of the kinds of effects that exist on screen in a durable and solid form.
Ener to Win a Shutter Island 4K Limited Edition Steelbook, a 21 Bridges Blu-ray, and More
