The 50 Greatest Horror Movies of the 21st Century
Review: Zombieland: Double Tap Shrugs Toward the End of the World
Review: Maleficent: Mistress of Evil Transforms Thorny Folklore into Fluff
Review: Tell Me Who I Am Feels as One-Sided as the Curated Lie at Its Center
Review: The Gloss of Stuffed Is at Odds with Taxidermy’s Inherent Boldness
Review: Battles’s Juice B Crypts Is an All-Out Aural Assault on the Senses
Review: Big Thief’s Two Hands Crackles with the Intensity of a Live Album
Review: Anna Meredith’s FIBS Defies Boundaries, Shape, and Form
Review: Chromatics’s Closer to Grey Resplendently Charts the Passage of Time
Review: Nick Cave & the Bad Seeds’s Ghosteen Is a Haunting Meditation on Grief
Review: Disco Elysium Is a Shrewd Whodunit and Marvel of Open-Ended Design
Review: Ghostbusters: The Video Game Still Lacks Finesse in Remastered Form
Review: Ghost Recon Breakpoint Abounds in Mindless Fetch Quests and Dull Action
Review: Destiny 2: Shadowkeep Is One Giant Leap for the Bungie Series
Review: Indivisible Conjures Up Nostalgia Without Being Derivative
Review: El Camino, a Breaking Bad Sequel, Is a Man’s Rueful Lament for Past Wrongs
Review: Watchmen Offers an Intriguing Rebuttal of Its Source Material
Review: Living with Yourself Is a Lesser Version of What It Could Be
Review: Catherine the Great Is an Alluring, If Shallow, Dip Into Russia’s Golden Age
The Best Netflix Original Series to Watch Right Now, Ranked
Robert Forster: Winning in the Late Innings
The Films of Pedro Almodóvar Ranked
New York Film Festival 2019
Watch the First Trailer for Martin Scorsese’s The Irishman
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
James Gray’s Ad Astra, Starring Brad Pitt, Gets Official Trailer
Blu-ray Review: 3 Silent Classics by Josef von Sternberg on the Criterion Collection
Blu-ray Review: Ritwik Ghatak’s The Cloud-Capped Star on the Criterion Collection
Blu-ray Review: Lucille Carra’s The Inland Sea on the Criterion Collection
Review: Robert Fuest’s And Soon the Darkness on Kino Lorber Blu-ray
Review: Pixar’s Toy Story 4 on Disney Blu-ray with Alternate Ending
Review: The Lightning Thief Struggles to Summon Epic-Scale Spectacle
Review: The Wrong Man Suggests a Concept Album Propped Up on Two Legs
Review: As Anatomy of a Presidency, The Great Society Is No Revelation
Review: Freestyle Love Supreme Pumps You Up with Rhyme and Rhythm
Review: American Moor Richly Illuminates the Experience of Acting While Black
The Very Queer In the Dream House Explodes Expectations of Memoir
With The Institute, Stephen King Channels Political Outrage into Familiar Horror
With Year of the Monkey, Patti Smith Spins Dreams Into Topsy-Turvy Words
Anatomy of an American Family and National Memory: Nell Zink’s Doxology
Debating at the End of History: Ben Lerner’s The Topeka School
James Whale was a master of the kinds of effects that exist on screen in a durable and solid form.
Enter to win a 4K Thrillers prizepack, Blu-rays of Crawl, The Haunting of Hill House, and more
