Criterion’s presentation of a strange classic is very much a contender.
Nothing revisionist, but this collection is a warm, pleasant reminder for fans and a good start for newbies.
There’s no George Kaplan, but there’s still spiffy, hypnotic pleasure in this apex of the Master’s perpetual-motion mode.
The picture is hugely pleased with itself, but it’s too funny and expertly calibrated to mind in the least.
The disc’s intense focus on the film’s production and Brandon Routh’s transformation into Superman probably makes this a must-own for fans.
The underrated Don’t Come Knocking is possibly Wenders’s best film since Paris, Texas.
It’s a pleasant enough piece of hackwork, anonymous in all the right ways so that it neither offends nor thrills.
The film only longs for hard, distant men and comforting, unreflective women.
For anyone who’s glad they made the Children’s Day Society.
Because of Winn-Dixie is a morality tale drained of all blood by director Wayne Wang.